Raphael Soyer, Office Girls
Viewing this painting today, the first thing that "pops" to me is the term in the title: Girl - a title hopefully now restricted to females under the age of 18. But in 1936 it was in common use for all females, even those we see here, the women employed by choice or necessity. Here, are women of New York moving about on the street, coming or going to their offices. The title hints that most are not in prestigious positions, but possibly secretarial clerks, typists, receptionist.
All are women, with the exception of one man to the far left. We see little of him, and only notice he is unshaven and looking not at us, but the clean, well dressed women near him. But we are there! The blond woman, who acts as the center of attention is looking right at us. But it is not a particularly friendly look, as if we are just another pedestrian on the street with her. She seems dazed, going about her daily routine, while the woman to our right seems more focused, determined while she moves about the city.
The composition is very interesting. Here again we see a work almost divided in half, one half dark, the other light. All faces slide across one rectangle three-fourths of the way to the top, and above them are soft rectangles creating a city setting. However the bottom half is crazy with triangles! Look closely....from very large to super small are hidden within the painting. And, yet, it works beautifully.
Office Girls is an oil on canvas. It was painted in 1936 measures 26 x 24 and is part of the collection of the Whitney Museum of Art, in New York City.
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This unusual composition fascinates me. Is this a scene he saw, made up, or some of both. I don't know what the brown object on the lower right is. Could the girl in black be looking across some obstacle or is she holding it?? The two girls on the right look quite identical. I really like this painting. Each person is in their own private moment and yet so close together. No "distancing" here!! We are right in the middle of a busy street. Could be a street scene today!!
ReplyDeleteI love this work. Very contemporary even with the 1930s era clothes. My thought: the artist actually took a photograph and worked from this. Colors, realism mixed with a slight pleasing distorted style...it is quite engaging.
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